Last week, Studio 1482 illustrator Dominick Santise and I attended the Workbook Creative Carnival in Chicago. We then spent the next 2 days creating reportage drawings around the city. Now I love NY, but Chicago is like a friendly, clean, slightly more relaxed version…which frankly is nice from time to time. We navigated the city by foot, walking from landmark to landmark, checking out the wonderful public art all along the way, Picasso, Chagall, Dubuffet, etc. It was an inspiring few days and I’m excited to share of few of my drawings with you.
Tag Archives: reportage
VAROOM!
I was pleased to be asked to contribute my reportage drawings to VAROOM! magazine. The publisher Derek was looking to feature illustrators that reportage live music and he was a fan of the drawings I made of Stephen Malkmus and the Jicks last year. Here is a post about that show.
VAROOM! is a great illustration based magazine so check out their website and support the cause!
The Art of Urban Sketching
I’m pleased to announce my inclusion in the Quarry Books release “The Art of Urban Sketching“. It’s a great book filled with many incredible artists, including fellow Studio 1482 members Veronica Lawlor and Margaret Hurst. The book is based on art created for the international sketching blog Urban Sketchers.
I’d like to say a special thank you to author/artist, and Urban Sketchers founder, Gabi Campanario for all of his hard work in putting this book together.
I hope you’ll pick it up at your local book store or online at quarrybooks.com
Breaks in the Armor
I’m pleased to announce that Merge Records will be using my reportage drawings of Crooked Fingers as the artwork for the upcoming album “Breaks In The Armor”. This is an honor for me as I’ve been a fan of both Merge and Eric Bachmann (Crooked Fingers) for years and have always respected their music immensely. In fact, I basically grew up on their music. For me this is an incredibly fulfilling commission and I just can’t wait to hear the album. Check out the trailer for the album HERE.
Thanks to Eric and Maggie.
The High Line
I spent some time in NYC a few weeks ago and I had a chance to visit The High Line. The High Line is a park above Manhattan’s west side. Originally an elevated freight railroad line, it was converted into a public park and opened in 2009. It has a really interesting vibe and a totally different feeling from anywhere else I’ve been in NYC.
Denver Magazine – December
A little late with this post, but better late than never! Last December’s piece for Denver Magazine was about Advanced Sommelier Dustin Wilson. I was asked to illustrate his unique rise to the top of his profession. A great lesson learned. I enjoyed trying to show this in one quarter page image!
DaVinci & I
I’m happy to announce that my artwork has been selected by E&J Gallo Winery as the new shipper illustration for their DaVinci wine. My drawing of the town of Vinci, Italy will be placed on all shipping boxes as well as other promotions for the DaVinci brand. It is quite surreal to have my work appear alongside Leonardo DaVinci! A dream come true.
Rebuilding Ground Zero
I spent some time at Ground Zero Friday. It’s an incredibly powerful place, I imagine unlike any other. The site has been transformed into a city of cranes and construction. I can’t help but think that this is exactly how it must have looked in the 1970s during the building of the Twin Towers.
While I still terribly miss what once was, I’m happy to see a new beginning for lower Manhattan.
CA Illustration Annual 51
The Communication Arts Illustration Annual is out. I received my copy yesterday and as I reported a few months ago, my reportage series on Times Square has been recognized. I’ve always felt that CA is one of the best publications for illustrators as well as the entire creative industry and it is an honor to be included. Here is a scan of the spread, pick up your copy today, there is some great work in there!
Milton Glaser
I had the privilege of attending the Milton Glaser lecture last night at the Society of Illustrators in NY. What struck me most was that I and the members of Studio 1482 approach our work and careers with a very similar philosophy to Mr. Glaser. He spoke about how an artist moves toward failure as a means of achieving success. A series of successive failures leads you on a path to understanding and ultimately success…but then it is time to start that process all over again. Keep moving forward, don’t master something and stop. Hearing those words inside the walls of an institution that promotes 1-style illustrators was quite an interesting juxtaposition of ideologies.
He also spoke of drawing and creating art as the only times when we are truly attentive. Paying attention to something rather than letting it, like life, pass us by. I’ve often thought about how many drawings I’ve made and what that experience is like and how millions of people have never made 1 drawing and never felt that sensation.
Lastly, he spoke of the computer and what it has meant to art and the world in general. What sticks with me is that he said he will always be better on the computer than anyone working now as his “sense of form came about from sources other than the computer.”
It was a great experience listening to someone with his experience and success and his words reminded me very much of words I’ve heard from other very wise people I have known.
drawing of M. Glaser by Greg Betza
JAZZ at Lincoln Center
By way of a friend, my wife Despina and I were granted access to reportage a performance at JAZZ at Lincoln Center. An opportunity like this doesn’t come along often so we really went for it. The performance by Wes “Warmdaddy” Anderson, Marc Cary, Neal Caine, and Jeff Tain Watts took place in Dizzy’s Club Coca-Cola , a space acoustically designed for jazz. It was an unforgettable experience and I feel like, considering the limited light and space, the work I produced is strong and tells the story of that evening. Thank you to everyone at JAZZ who made us feel very welcome and especially to Susan who made this all possible.
Here are a few of the drawings I made that night.
The Scientist
This month I have an illustration in The Scientist magazine. The article is an opinion piece with 2 views on the much debated healthcare reform. After reading the article a few times I knew I had to illustrate the confusion over how the restructured healthcare system is going to use our money. So my idea was to turn the US Capitol into a Rube Goldberg invention that works yet has no outcome (as we don’t). I have to tell you that I have a whole new respect for Mr. Goldberg. I’ve never attempted anything like this but it was really an enjoyable challenge to create practicality out of nonsense (hey, maybe I have attempted to do that!) So this is what I came up with…
A Great Job
A few months back I was contracted to create preliminary drawings of 10 new spaces within the new home of the New York Mets, Citifield. This is the type of job that doesn’t come along very often. I was given a tour within the new stadium (a privilege given very few) in order to get an idea of just how massive it truly is. And believe me, it was impressive. I have a new respect for the amount of planning and complexity that goes into a project of that magnitude. It was quite an experience to see the stadium unfinished and one that I doubt I’ll ever have that opportunity again.I’ve posted 4 drawings: The Jackie Robinson Rotunda, the Left Field Club Restaurant, the Sterling Lounge, and a rendering of a luxury Suite. Make your way to Flushing this spring and see it all come together. Love to hear what you think….
NEW Giants / Jets Stadium
Over the Thanksgiving weekend I was finally able to get out and do a bit of drawing. I live near the Meadowlands (home of Giants Stadium) and have often driven by the construction of the new stadium, which will open in 2009. Each trip past I was gripped with the fear that I would not have the opportunity to get out there and draw. Well last Wednesday I put those fears to rest. I hope you enjoy what I’ve come up with. I spoke with one of the workers who told me the cranes should be up until March, so I hope to do quite a few more.It was cold out there, but you can get very close to the action. I recommend it if you’re in the area.
Studio 1482 in Communication Arts
Two Studio 1482 members, Veronica Lawlor and Eddie Peña are featured in the July CA Illustration Annual. The article, by Lisa L. Cyr, highlights the important, often overlooked, area of visual journalism and reportage.