Tag Archives: drawing

Thank You Card to Our Heroes

Dear Friends and Colleagues,

We hope that you and your loved ones are safe and well in this time of crisis.

Here at Studio 1482, we want to thank the medical professionals, first responders, and essential workers who are out there working for us every day. So we each created an illustrated thank you card for them.

To give to the heroes in your life, click the links below each illustration to download the images as either shareable digital files or for print on Avery 5315 note cards:

Dominick Santise: Prevailing Spring
Link to HiRes Digital File
Link to LoRes Digital File
Link to Print-Ready Avery 5315 File


Greg Betza: Stay Home
Link to HiRes Digital File
Link to LoRes Digital File
Link to Print-Ready Avery 5315 File


Margaret Hurst: Heart Angels
Link to HiRes Digital File
Link to LoRes Digital File
Link to Print-Ready Avery 5315 File


Veronica Lawlor: Love Has No Boundaries
Link to HiRes Digital File
Link to LoRes Digital File
Link to Print-Ready Avery 5315 File


Be safe, be well.

Kind Regards,
Studio 1482 Illustration
Dominick Santise • Greg Betza • Margaret Hurst • Veronica Lawlor

NOT JUST ANY OTHER DAY

When I got back on the DC Metro Friday afternoon I had already decided I would not post anything on Instagram. A single image and a few hashtags doesn’t quite do the subject justice. By the time I was eating lunch a few hours later (first time at Busboys and Poets in Hyattsville, MD—thank you—perfect post-Trump atmosphere) I made up my mind that I was not going to share the reportage at all. As much as I may feel about the election, to be quite honest, the unending commentary that surrounds every sentence delivered online drives me nuts. A few drawings, uneventful as I felt they were, didn’t warrant any kind of negative attention. Then I saw our new Presidents’ tweet about the day.

Let me first say this, as I left the mall after the 2013 inauguration for President Barack Obama I vowed to myself that I would return every four years. I had documented his first—and then his second—and upon doing so I realized how much I did not know about our political history, at least not some of the details that warrant a closer look. It is something we take for granted. Something we assume will always be there. The inauguration every fours years is historic. Yesterday was no different.

For the first time I attended the ceremony with some companions. A right-leaning dear old friend who came to shoot the crowd (yes, I said shoot, with his camera) and two of his Trump supporting friends. The two friends were scared of something horrible happening during the day (I left that to their imaginations, I didn’t ask) and were hesitant about joining in the crowd on the mall. They were coming from the opposite side of DC so we were meeting up before going in. We took the Metro from just outside DC. There was absolutely no line at the station to get onto the platform where I had to wait in line simply to park in 2009. Granted that was certainly the bigger of the two previous crowds, but none the less, I was a few hours later than the first time, and this morning there were so few people on the platform and more importantly the parking lot was still empty at 8:30 AM. We jumped on with a family of Trump supporters young and old and I grabbed a few drawings (above).

For the third time I got off at the L’Enfant station on the south side of the mall. I have yet to get my bearings right on the DC Metro but I ended up coming out at the same spot as in 2013. However it was not the same scene. For the rest of the event I found very little similar to either of the last two I attended. I walked out onto what felt like a war zone. There were no protestors that could be seen, nothing was wrong so to say, but it felt ominous. It may have been the gloomy weather, but something was way off. The previous times I attended it looked nothing like what I was witnessing. The streets were lined with what felt like cages and crowds were lining up to funnel alongside of them. Again, nothing was wrong, just the feeling of something that could happen. There was no where to stop and draw, so we moved on.

Not knowing what size crowd would be attending we did not delay in getting to the entrance. However, we kept getting delayed. The single file line was constantly filtered through tiny openings in the barricades and then twisted along detours that took us farther away from where we wanted to go. I have no recollection of it having been so hard to get on the mall as this. When we finally arrived at the security entrance I was shocked to see the line that nearly reached 14th street (I quickly learned some landmarks). Taking our spot we agreed that this may not be happening as the line was too long and security seemed to be moving too slow. I think it was 9:30 at the time. Maybe I missed the build up after I arrived in 2013, but this line felt rather bottle necked. That was when I took out the pad.

Aside from a few obvious protestors there were no big demonstrations as we were trying to get in. Protestors were told they wouldn’t be allowed. We watched a few try en route that were stopped. A ton of Trump hats and scarves, some flags and various accessories. The vendors, all of whom were probably there the last two times for President Obama, did not seem to be selling too many shirts. My friend made a comment about Trumps’ face being on everything and I told him that it wasn’t so different from my memory—the material being sold was attempting pride but just as tacky the past two times. All souvenirs.

As we made our way to the security checkpoint quicker than I thought we would (I thought we would miss some of it) we met up with our other two companions. They bypassed the line and hopped on with us. Seeming so afraid of something happening I was not sure they would ever fully enjoy their time, and they were the ones there to celebrate. Having had the experience to compare I was asked if there was as much red, white, and blue at the last two as there was being worn on line. Trolling for an unpatriotic answer I had to concede I didn’t think so.

By this point everyone was looking to me to know how big the crowd was in comparison. Up to that point there was nothing the same that gave me a good idea one way or the other. It seemed tiny on the Metro platform and in the station, but waiting on line after line it seemed huge. As we made our way onto the mall I finally had the only real comparison that made sense. It took a while to figure out but this crowd was much smaller than 2013. There may never again be a similar moment as 2009, but make no mistake, 2017 was smaller compared to the last two. People kind of spread out and made sections seem full, but there was so much standing and sitting room. I had been on the mall the last time by about 7AM or so, but even by that time it was more crowded than Friday. And it never filled in behind me to the extent that it had 4 years ago. This crowd was thin.

By now I had ditched my companions and I was waiting in the not-so-thick of it with foreign Trump supporters. As we waited there were a few chants of USA! USA! USA! but nothing that lasted too long yet. I figured the dreary clouds suppressed everyones spirits but expected some celebration as the time ticked on. One woman turned around and caught my attention as she was starting to open up and get excited.

On the jumbo trons along the edge of the mall we watched as people filled the steps of the capital building. I felt like I heard cheers as Vice-President Biden came on screen but then I realized Vice-President Elect Pence was with him and I remembered why I was there. Hillary got boo’s from the crowd. I wasn’t too surprised. What surprised me the most however was that when Bernie Sanders appeared on screen he got pretty big cheers. The woman from above boo-ed the crowd and started yelling “COMMUNIST,” I mean “SOCIALIST” and swapping back and forth until she finally realized people were looking at her because she obviously had no idea what she was saying, just simply repeating what had been told to her.

It was also at the sight of Bernie that I realized the cheers I thought were for Biden actually were. There was a good sized group of young women, possibly college though I think high school, who were there it seemed for the civics lesson of it all, but were certainly Obama fans as they cheered for Bernie and Michele Obama over the woman’s boo’s and then chanted please don’t go when President Obama was on screen solo, who also got boo’s from one man in front of me angry about the President taking away his health insurance. A quick and subtle harassment from the “communist” woman’s companion quieted the young women down, but you could tell the audience was more mixed up than I had realized.

The crowd was a bit somber as Donald Trump took the oath. No gasps, no cheers, just listening and watching. They cheered and clapped a bit at the end, but nothing grand and celebratory. Reality was setting in.

The reverend who ended the service about 20 minutes or so later tried to wax poetic about the Biblical symbolism of the rain that just so happened to start precisely when President Trump finished the oath and began his speech. Since I was told on the day of my baptism it rained and my pastor said it was good fortune, I will give a pass, but I couldn’t help see the irony in the grey clouds opening up at that exact moment (and thinking about my mother who sounded as if she had daggers in her eyes for my pastor). In my mind I saw the entire scene get drenched as the first officer descended the steps behind Trump to place an umbrella at his feet and then several officers gathered, I assume to help with the immediate crowd behind the podium. It never poured, but it took dreary to a slightly darker place for a few minutes. The more dramatic drawing in my mind also vanished.

As President Trump rattled through his speech one eccentric woman from Detroit cheered as he mentioned the name on the bag over her shoulder, with a few looks from those around her, taking pride in her hometown. And then after a few prayers it was all over as people streamed out.

Now, as for the reason I decided to post this. When I found out Trumps’ White House tweeted a photo from the 2013 inauguration I realized there was more to my drawings than I had left the mall feeling about them. I did not attend looking for something to attack and quite honestly I initially decided not to post them at all because I felt there was little to really speak of. This started 8 years ago as a celebration and by the next time it had become a personal exploration, part observer, part participator.  Any small observations that I made were just going to incite comments that I didn’t want to go through and approve or delete. Then the sunny-sky’s-over-the-Capital-Building-with-flags-waving photo appeared on his Twitter feed and I thought how skewed the whole day was. The earlier question about the patriotic red, white, and blue display on everyones dress, well no in 2013 I didn’t see that. I also couldn’t see the Capital because every five minutes or so there were thousands of flags waving above the crowd. The very same flags in yesterdays twitter photo. Pride—American pride—was on full display 4 years ago. Yesterday I barely saw any flags at all. A handful maybe. One large one for sure. Four years ago the crowd was big—in spirit, in numbers, in unity. Friday it was somber and bland. As I met up with my companions I found they were equally unimpressed by the event. The couple we met up with were disappointed that there were no protesters inside, which is when I realized what they were looking for, and expecting, a rally. There shouldn’t be any protestors allowed in, this is an American ritual that should be respected. If we all don’t why will it continue when we want it to? When we next need it to? I am sure many tried to get in, but thankfully they failed. That is what the March on Washington was for today. Hell, that is what the parade to the White House is for. I wish I had gone to both, but I never thought the parade would be so sparse and I know I am represented in great numbers by various friends today.

The fact is he won. Donald Trump is OUR PRESIDENT whether we love him, hate him, or could care less. What I found absurd is that the whole thing was uneventful. There was no pride, unity, or desire demonstrated by much of the crowd, and for all the people who actually showed up for the event, very few felt like they held anything in  common with those around them. So while I quietly long for the next inauguration I hope we get some change. I hope both parties realize this election was reality tv at its worst and maybe take some action to alter it, but I doubt it. Until then the burden falls on us as it always has and will to not believe the tweets and see past the lies with some sense of truth, and realize that sometimes it rains when you don’t want it to. Doesn’t mean we have to get soaked.

Live the InterContinental Life Animations

For the past few months I’ve been teasing this project on my Instagram and I’m so pleased to finally share it. I was commissioned by Smith Creative Labs to illustrate 3 short animations for the InterContinental Hotel Group’s Live the InterContinental Life campaign.

The animations were based on podcast interviews which told stories of empathy, worldliness and fascination and were recorded in London, Beijing, and New York City. Smith and animator Mark Bellncula were incredible partners to work with, granting me a tremendous amount of creative freedom and support. I couldn’t be any happier with how the animations turned out.

I loved that these pieces were created in a mostly traditional way, using sequential hand made drawings and paintings. Some of the longer panoramic drawings were so long that I had to work on my floor…and my floor became my desk! Whatever works.

I did my best to document the process of creating the animation art which I’ve included below. I appreciate you taking the time to look!

Pose 1

greg-betza_ihg-2

Large scale thumbnail drawing
Large scale thumbnail drawing
My floor/desk
My floor/desk

greg-betza_ihg-7 greg-betza_ihg-5

Many hours hunched over the light box!
Many hours hunched over the light box!

greg-betza_ihg-8 greg-betza_ihg-9greg-betza_ihg-11greg-betza_ihg-10

chop chop chop
chop chop chop
Mole
Mole
Panoramic drawing of the kitchen
Panoramic drawing of the kitchen
My wife and I enjoying a drink
My wife and I enjoying a drink
self-portrait
self-portrait

greg-betza_ihg-12

 

Bloomingdales live paint portraits | Greg Betza

Bloomingdales

I was commissioned by Bloomingdales to ‘live-paint’ portraits of their customers. It was so nice to see their clients’ faces when they saw their likenesses appearing on paper. I don’t often talk about art with people who are not artists and it amazed me how impressed and fascinated they are by the process of creating art. Their observations and opinions are diverse and genuine. I learned a lot.

I went into the day thinking mostly about the job that I had to do and how I would execute it. I came away with so much more…meeting new people, of all ages, and hearing their thoughts on what I was doing and how much they enjoyed the process.

Thank you to Bloomingdales for asking me to live-paint portraits of your patrons. Great day!

Bloomingdales live paint portraits | Greg Betza

Bloomingdales live paint portraits | Greg Betza

Bloomingdales live paint portraits | Greg Betza

Bloomingdales live paint portraits | Greg Betza

New Jersey Monthly Downtowns | Greg Betza

Downtowns for NJ Monthly

New Jersey Monthly Downtowns | Greg Betza

I was commissioned this summer to work on a reportage assignment for NJ Monthly magazine. Being born and raised in New Jersey it was just that much better to be asked to drive around the state to visit and draw different “landmarks” throughout to help make the case for the best downtowns in New Jersey. I had a great time. Here are the drawings which appeared in the magazine (out now!) and the additional ‘rejected’ pieces that I made as well.

New Jersey Monthly Downtowns Cape May | Greg Betza

Cape May, NJ

New Jersey Monthly Downtowns Montclair | Greg Betza

Church Street, Montclair, NJ

New Jersey Monthly Downtowns Princeton | Greg Betza

Palmer Square, Princeton, NJ

New Jersey Monthly Downtowns Summit Diner | Greg Betza

Summit Diner, Summit, NJ

New Jersey Monthly Downtowns Red Bank | Greg Betza

Waterfront, Red Bank, NJ


These below were unpublished:

Downtown Red Bank, New Jersey | Greg Betza

Downtown Red Bank, NJ

Cape May, New Jersey | Greg Betza

Cape May, NJ

Raymond’s, Montclair, New Jersey | Greg Betza

Raymond’s, Montclair, NJ

Summit Train Station New Jersey | Greg Betza

Summit Train Station, Summit, NJ

Palmer Square Princeton New Jersey | Greg Betza

Palmer Square, Princeton, NJ

Porta Jersey City New Jersey | Greg Betza

Porta, Jersey City, NJ

In Dylan Town Cover | Greg Betza

Bob Dylan Cover

In Dylan Town Cover | Greg Betza

Last year I attended a Bob Dylan concert at the Beacon Theatre in New York. I made a few drawings, and David Gaines, the author of a new book on Bob Dylan, saw one of the drawings which I had posted on One Drawing A Day and asked if he could use it for the cover!

As a fan and admirer of Dylan, I could not be happier that I made those drawings. Here is the book, a display at BookPeople in Austin, TX and a few more drawings from that dark evening in New York. Thank you David and Iowa University Press.

In Dylan Town Cover | Greg Betza

In Dylan Town Cover | Greg Betza

Bob Dylan | Greg Betza

Bob Dylan | Greg Betza

Bob Dylan | Greg Betza

Bob Dylan | Greg Betza

Bob Dylan | Greg Betza

Art in Space | Greg Betza

Art in Space

Art in Space | Greg Betza

I’m excited to share this latest bit of good news with you. I was contacted earlier this year by a company designing a new Chicago office space for a global consulting firm. The company had seen my reportage drawings of Chicago and thought they would make a great addition to the space. I’m truly satisfied when I do work that I love and enjoy doing and someone finds a use for it. Here are a few photos from the new space. You can see the rest of my reportage here.

Art in Space | Greg Betza

Art in Space | Greg Betza

Art in Space | Greg Betza

American Family Insurance | Greg Betza

American Family Insurance

American Family Insurance | Greg Betza

I have been working on a large series of illustrations for American Family Insurance. With Father’s Day just passing I’m happy to post this first illustration because I was able to use my son as my model.

This Shel Silverstein inspired ad is appearing regionally in issues of Sports Illustrated.

American Family Insurance | Greg Betza

Chicago Magazine Moving on Up | Greg Betza

Chicago Magazine

Had a chance to do some intricate line drawing for this illustration! It was interesting, and almost therapeutic, drawing all of these buildings and windows and streets and antenna and, and, and… And then I got to loosen up and work on a few lifestyle spots of  things happening in front of the architecture. Great layout by the AD too.

Chicago Magazine Moving on Up | Greg Betza

greg-betza_Chicago-spot1

Chicago Magazine Moving on Up | Greg Betza

Chicago Magazine Moving on Up | Greg Betza

Chicago Magazine Moving on Up | Greg Betza

Guy Fieri Grillin’ For Greatness | Greg Betza

Guy Fieri Grillin’ For Greatness

I’ve always been a fan of Guy Fieri, so I was thrilled to get a call to do some illustrations for his Miller Lite Grillin’ For Greatness campaign. Again, I was asked to draw a stadium! First, NBC Sports calls for the Stadium Series and soon after, Guy. The theme behind the stadium imagery is that his recipes (and Miller Lite) can be used during your tailgating parties this football season. Overall a fun project to work on. Here are the illustrations and the final print ads. #grillwithguy

Guy Fieri Grillin’ For Greatness | Greg Betza Guy Fieri Grillin’ For Greatness | Greg Betza Guy Fieri Grillin’ For Greatness | Greg Betza Guy Fieri Grillin’ For Greatness | Greg Betza

Australia’s Oaktree Foundation | Greg Betza

Four Seasons

Australia’s Oaktree Foundation | Greg Betza

It’s been a few years since I’ve worked for Four Seasons magazine, but I’m happy to have been asked to illustrate for them again. My last illustration for them dealt with Doctors Without Borders and this time I was asked to create an illustration for Australia’s Oaktree Foundation. Oaktree is a youth movement aimed at ending extreme poverty. It was amazing to learn about their foundation and to see how this group of young people turned their beliefs into action.

Australia’s Oaktree Foundation | Greg Betza

Art and Science of Wine Tasting | Greg Betza

Wine & Spirits

I was asked to created an extensive series of illustrations for Wine & Spirits magazine for this month’s special issue on the “Art and Science of Wine Tasting”, including the cover! The only downside was I had about 5 days to do it. Sometimes, if I am available, it is my favorite way to work. Job comes in, focus on it and work constantly until it’s finished…and in just a few short days I’m on to something else.

Anyway…my assignment was to create a series of illustrated montages of wine tasting sessions and to combine the tasters with the colors and elements that make up the particular wine they were tasting. Whether it be the region the wine is from, the ‘notes’ in the taste of the wine, or how the wine is aged, etc., etc.,…I had to create harmonious visuals. I was also asked to illustrate portraits of all of the wine tasters. That was especially fun. I’ve included a few of my favorites below.

And lastly, for the cover I was directed to write out different descriptive words to fill a wine glass. I really loved that idea and think it makes a striking cover. Thanks to Mike at W&S for working through this tight deadline with me.

I’d love to hear what you think!

Art and Science of Wine Tasting | Greg Betza Art and Science of Wine Tasting | Greg Betza Art and Science of Wine Tasting | Greg Betza Art and Science of Wine Tasting | Greg Betza Art and Science of Wine Tasting | Greg Betza Art and Science of Wine Tasting | Greg Betza Art and Science of Wine Tasting | Greg Betza Art and Science of Wine Tasting | Greg Betza Art and Science of Wine Tasting | Greg Betza Art and Science of Wine Tasting | Greg Betza Art and Science of Wine Tasting | Greg Betza Art and Science of Wine Tasting | Greg Betza Art and Science of Wine Tasting | Greg Betza

Investment Advisor | Greg Betza

Investment Advisor

I’m really pleased to share this series I illustrated for Investment Advisor magazine. The topic is heavy, depression and suicide among retired men, and I wanted the illustrations to carry that kind of weight as well. I decided to use textured, somewhat “messy” backgrounds with shaky graphic lines, and slightly uncomfortable designs for the figures…hopefully to give a sense of the topic. I love how everything turned out, and I appreciate the client allowing me total creative freedom on this one.

I’d love to hear what you think…

Investment Advisor | Greg Betza

Investment Advisor | Greg Betza

Investment Advisor | Greg Betza

Investment Advisor | Greg Betza

Tree of Life | Greg Betza

Guitar Aficionado

Tree of Life | Greg Betza

An amazing illustration commission came to me about a month ago. I was asked to illustrate a story about a 100 foot tall Honduran Mahogany that has become a legend to guitar makers. The tree was found and felled nearly 50 years ago, but it fell in a ravine and could not be extricated. 16 years later it was rediscovered, purchased, and it’s figuring and pattern (in the grain of the wood) were discovered. Long story short, the wood became legend. It’s tone was beautiful, its look, incredible, and people pay top dollar today to find any wood still available from this one tree. Read the article, it’s really interesting…

This illustration is a double-page vertical spread. Can’t wait to see the print version!